Home3D PrintingAnti-Spoil: 3D Printed Marble Mud Construction Debuts on the Venice Biennale of...

Anti-Spoil: 3D Printed Marble Mud Construction Debuts on the Venice Biennale of Structure


Anti-Spoil, a modular 3D printed set up constructed from marble mud, is on show on the nineteenth Venice Biennale of Structure, happening from Could to November 2025. Designed by London-based studio OZRUH and fabricated in collaboration with researchers from ETH Zurich, the mission explores adaptive structure by a system of reconfigurable stone blocks. It’s a part of a broader wave of experimental 3D printed works featured at this yr’s worldwide exhibition.

ANTI-RUIN Phase 1. Photo via OZRUH.ANTI-RUIN Phase 1. Photo via OZRUH.
ANTI-RUIN Section 1. Picture by way of OZRUH.

The set up consists of 12 massive blocks constructed from marble mud, a quarrying byproduct sourced from the Lasa Marmo Quarry in South Tyrol, Italy. Utilizing binder jetting know-how developed at ETH Zurich by Dr. Pietro Odaglia, Senior Researcher at DBT, with help from Christian Peterhans, Assistant at DBT,  and Prof. Benjamin Dillenburger, Chair of Digital Constructing Applied sciences at ETH Zurich, the mud was changed into printable modules. These had been assembled right into a three-meter-high, gate-like kind.

Marble Extraction at Lasa Marmo Quarry. Photo via OZRUH.Marble Extraction at Lasa Marmo Quarry. Photo via OZRUH.
Marble Extraction at Lasa Marmo Quarry. Picture by way of OZRUH.

Modularity and Materials Circularity in Apply

Impressed by Nassim Nicholas Taleb’s theories on randomness and dysfunction, Anti-Spoil seeks to invert the perceived fragility of structure. Fairly than pursuing permanence or completion, the mission embraces entropy and ongoing transformation. Every element of the construction contributes to an open-ended complete—permitting for mutation, subtraction, and reuse.

The construction, engineered by Danae Polyviou, Structural Engineer, formDP, incorporates a freestanding, asymmetrical design that reinforces the mission’s conceptual concentrate on non-linearity and adaptive potential. Its modular building allows disassembly and reconfiguration, providing a response to evolving spatial or useful wants.

3D Printing at ETH Zurich. Photo via OZRUH.3D Printing at ETH Zurich. Photo via OZRUH.
3D Printing at ETH Zurich. Picture by way of OZRUH.

From a supplies perspective, Anti-Spoil proposes a substitute for conventional concrete by upcycling waste and lowering environmental influence. The identical binder jetting technique may be tailored to different byproducts like crushed brick or demolition particles, aligning with ideas of round building and low-carbon design.

Different 3D Printing Highlights on the Biennale

Anti-Spoil is one in all a number of installations on the 2025 Biennale that discover 3D printing’s function in architectural experimentation.  Italian structure and design agency Mario Cucinella Architects (MCA) unveiled A Flower in San Servolo, a 3D printed amphitheater on Venice’s San Servolo Island. Developed with San Servolo srl, the publicly managed group overseeing the positioning, the modular construction is meant for performances, public gatherings, and academic use.

In the meantime, WASP, an Italian producer of large-scale 3D printing techniques for sustainable building, partnered with Columbia College’s Pure Supplies Lab to create “Earthen Rituals,” a clay-based set up displayed within the Arsenale’s “Pure” part of the Biennale. The analysis workforce used WASP’s 40100 LDM ceramic 3D printer and the 3MT LDM system to supply tons of of earth tiles constructed from a mix of building waste soils and agricultural by-products. The method concerned a “kitchen strategy” to materials formulation and integrated methods equivalent to rammed earth, weaving, basketry, and figurine-making. The mission workforce included graduate assistants from Columbia College’s GSAPP and obtained technical help from WASP’s Residency Program.

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Featured picture reveals ANTI-RUIN Section 1. Picture by way of OZRUH.



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